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Western Writers

for writers and fans of the Old West....

Buffalo in Caprock Canyon, TX
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One of the best things about camping in Caprock Canyon are the buffalo.

As a western writer (and just a writer in general and a human being enamored with history and culture) I love seeing these majestic animals. I think one of the biggest surprises is how small they are. Yes, small -- compared to what I thought they would be. We have come to think of these creatures as large, gigantic animals. Now don't get me wrong. They're pretty good size. I'm just saying my expectations were that they were HUGE and they're not. Then again, when you think about it, they are plains animals. That's a pretty rugged ecosystem right there. You need a balance between size to maintain warmth (the heavy coat helps there) and ability to retain water.

Okay, it's not like they're just cows, however. They are buffalo. When you see them you know exactly what you are looking at.

I must be fair, however. They did have some bulls penned up. Those monsters were big. Then again they are full grown bulls. But I love watching these animals. I would have liked to followed them around all day with binoculars and watch them as they interact with one another and their environment.

One of the coolest things that happened while I was camping there? In the morning, while the world was still and the sun was edging up over the prairie and canyon rims, you could hear the buffalo moo and rumble (they make a deep guttural rumble in their throat or chest) and the noise carry through the air. It was probably the most mystical alarm clock I have ever awakened to. I almost get goose bumps now thinking about it.

My Review of Deadwood at The Western Online Magazine
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The Western Online has published my review of the HBO series Deadwood.  I thought you guys might be interested in seeing it. Here's the link if you wish to read and comment:

Deadwood: How a Non-Western Television Series Challenged Myth and Stereotype

Bold New Changes at The Western Online
In honor of the two year anniversary of the site, a plethora of changes have arrived at The Western Online.

Instead of being a "for the love" market, The Western Online is now a token market. We will offer a token payment of $5.00 per short story regardless of the length and $3.00 for each piece of artwork or article. In addition to short stories, we will also now publish novella length work that we will serialize and post on a monthly basis.

As a way for the site to generate revenue so that we can pay our contributors, we are launching an online store through where we will earn a percentage of the sales called The Western Online Mercantile. You can buy t-shirts, coffee mugs, bumper stickers, calenders and all sorts of cool stuff. We will always be adding new items to the store, so check back often.

As part of the celebration, we have tons of new content.  We have published two new historical articles, an exclusive interview with Kenneth Mark Hoover, a new episode of our Western comic strip - "Jud Nelson - Texas Ranger," some spectaular Western artwork by Ken Consaul, two new short stories, and the first installment of a serialized novella, "The Call Chronicles" by Kathi Sprayberry.

I have written a new edition of our editorial article, The Roundup: Bold New Changes at The Western Online. It details all of the changes and our plans for the future.

To check out all of our latest updates, stop by The Western Online today! Be sure to leave us a comment on the blog or somewhere on the site. We'd love to hear from you.

Western Online Interviews Me!
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I was recently interviewed by The Western Online. I talk about the genre and how it needs to invite new voices so it can continue to grow. I hope you guys like the interview and stop by to give it a read. Thanks! :)

The Western Online Interviews Kenneth Mark Hoover

Facebook Group
There's a new facebook group called Western Book Readers.  There's lots of lively discussion going on. Check it out, you'll enjoy it.

Blood Meridian by Cormac McCarthy (a review)
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“You can find meanness in the least of creatures, but when God made man the devil was at his elbow.” --Blood Meridian

Blood Meridian or the Evening Redness in the West might be one of top five novels of Modern American literature.

I say "might be" because it is probably too soon to make that judgment even though the novel was published in 1985. Moby-Dick did not gain dominance over American literature until after WWII and it was first published in 1851 to mediocre reviews and multiple head-scratching.

Sometimes it takes decades for an American novel to assume its rightful place in the rarefied pantheon of Great American Novels. I know some critics have placed McCarthy's work there. Personally, I think it is safe to say Blood Meridian is not deserving of that distinction...not yet. But one day it could be, and probably should be.

Nevertheless, Blood Meridian is, without doubt, a definitive western of lasting power. It is, by any definitive metric, a masterpiece of emotion, raw moment, and language:

"When the dogs announced them the sun was already down and the western land red and smoking and they rode singlefile in cameo detailed by the winey light with their dark sides to the river."

Blood Meridian tells the story of the Glanton Gang (historically accurate) working the Texas-Mexico border in the 1850s who murder Native Americans for their scalps. (This was actually quite a lucrative business.) Already animalistic the gang starts scalping anyone who falls across their path and sells the scalps for gold. The novel deconstructs myths and Hollywood-inspired tropes promulgated upon an unsuspecting public.  I say "unsuspecting" because many readers (and, sadly, some writers of the genre) have been nurtured and pampered through the bubblegum influence of pulp magazines, Saturday morning television, and cartoonish movie serials.

This dangerously simplistic notion the Old West was one thing explicit, when we have solid historical proof it was quite another, has taken deep root throughout our Western Culture. Many western writers toil in the overarching shadow of this awful growth and its pervasive, debilitating influence. This becomes evident in the now-infamous line of John Ford's The Man Who Shot Liberty Valence when a newspaperman sagely opines if the legend becomes fact, one should by necessity be forced to print the legend. Thus, the power of myth, and its ability to sometimes usurp and weaken historical evidence.

Blood Meridian breaks those barriers down with grim remorse. At its core are philosophical elements of Gnosticism and Nihilism. However, the violence on every page is in no way symbolic or meaningful. McCarthy doesn't use violence for shock effect or to elevate character description. Nor does he use it as a cheap literary device to move his readers. In his novels, and Blood Meridian in particular, violence exists for one reason: because man exists.  Only once in the entire novel does a character allow himself to wonder if there is any other being in the universe more terrible than Man. The answer is quite clear: there is not. We are alone on that red plain.

From the pronouncement "war is god" to the line “If god meant to interfere in the degeneracy of mankind would he not have done so by now?" the terrifying and enigmatic antagonist, Judge Holden, moves with unadulterated power through the entire novel. The Gnostic influences are evident both in his philosophy and his determination to judge not only the men around him but the very world itself. This dovetails with the grim actions of the gang and how they interact and shape the Texas-Mexican border through their own violent actions. It is an amazing novel.

I can't promise you will like Blood Meridian. One suspects many readers will be turned off by the unremitting (almost uncaring) violence and the cold, enigmatic ending. We have been conditioned to believe violence must mean something, that it must have cause and thereby fit neatly within our dualistic universe. Books, movies and television have conditioned us to believe the world must be righted if canted over, and all will be wrapped in a neat, pretty bow before the credits roll. That simply doesn't happen in this novel. Because, as Judge Holden argues via his very actions, violence just is.

I definitely recommend this novel. And, if you write westerns of any type, you would do well to read this American masterpiece and perhaps learn something from it about the western genre, and maybe even yourself. It's that powerful.

Armadillo Con 33 Reading
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I got my schedule for ArmadilloCon 33 August 26-28. Looks pretty good and I’m very excited about the opportunity to moderate a panel, but it's for SF so I won't include it here. I do have a reading scheduled, though, and I expect I will do something from the Haxan series. Yeah, I know, big surprise there! :P

August 26
Fr2200P Reading
    Fri 10:00 PM-10:30 PM Pecos
    Kenneth Mark Hoover

A Conversation with Louis L'Amour
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Biographer talks about Zane Grey
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My Personal West

I am proud to be part of Richard Prosch's Meridian Bridge My Personal West series. My personal essay appears there and I am thrilled and honored to be included among so many fine Western writers.


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